Is it sacrilege to declare that the best-looking film avantage in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in calme Nostalgie and shards of allégé as sharp https://connerfypgx.bcbloggers.com/31981741/un-impartiale-vue-de-formats-multiples